HMGAudio

This week's curated selections dive deep into the art of sonic texture, from transforming static rhythms into living, breathing patterns to exploring the raw power of metal amplification. The common thread is a relentless pursuit of character and movement in sound design and performance.

A standout tutorial from BLEASS demonstrates how to inject life into a monotonous hi-hat loop. The video walks through a simple yet effective recipe using the BLEASS Tides plugin: applying subtle delay and feedback, then harnessing random LFO modulation to create a constantly shifting rhythmic texture. This approach turns a flat loop into an evolving, organic element, proving that a few smart tweaks can dramatically alter a track's energy. The full breakdown is available on the BLEASS YouTube channel.

Shifting from digital manipulation to instrumental performance, Ben Osterhouse presents a "Note Walker Improv" video. This piece showcases a more organic, exploratory approach to composition, offering a glimpse into spontaneous musical creation and the interplay between melody and harmony. The source video is hosted on the Ben Osterhouse YouTube channel.

On the heavier side of the spectrum, Blackstar Amplification sits down with Nige Rockett and Jeff Williams of the thrash metal band Onslaught. Filmed at the Call of the Wild festival, the interview delves into gear, tone, and the profound impact of the St. James amplifier. The artists share their candid reactions to the amp's performance, making this a compelling watch for anyone interested in high-gain sound and the tools that define a signature metal tone. The full interview is available on the Blackstar Amplification YouTube