As Rich promised in his last video, today we’re continuing with the processing of bass in guitar-based heavy music. In this part 2, Rich uses only features from Melodyne studio – some of which build on the content from part 1 in a drastic way, while others do so very subtly. Especially when it comes to these finer nuances, you should use high-quality headphones or studio monitors to fully capture the details.
If you haven’t seen part 1 yet, here’s the link:
And these are the chapters in part 2:
0:00 Intro
0:36 Today’s audio example
1:32 The Harmonics in the Sound Editor
2:23 Harmonics vs. fixed frequencies
3:27 Focusing on the low end
6:37 More sustain
7:59 Defining attack and punch
9:29 Split band processing with Melodyne
13:50 Adding distortion to the higher ranges
15:09 Setting fades to further define the attack
17:22 Balancing the three parts of the bass
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